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Posts Tagged ‘Cheers!’

2011 Hunter Valley Heritage Award recipient ….

Rhiannon Stevens steps back in Hunter history to the time of Maurice O’Shea

Maurice O'Shea

The Hunter Valley Heritage Award acknowledges landmark historical importance that has  influenced or significantly contributed to the Hunter Valley Wine Industry. Previous recipients have included historical landmarks of physical heritage. This year the importance of printed works to the place making of the Hunter Valley region have been acknowledged. The Maurice O’Shea Mount Pleasant Labels are classic collateral heritage endemic to the Hunter Valley, and symbolise our fine winemaking reputation and identity.

At the unveiling of the Heritage Cairn in March 2012, Hunter Valley Legend and sponsor of the Cairn, Brian McGuigan explained “the Cairn project is designed to recognise the people, places or objects that have nurtured and been crucial to the development and stature of the district, so it is fitting that we salute Maurice O’Shea and McWilliams”. Maurice O’Shea founded his vineyard “Mount Pleasant” in 1921, and during the depression forged an enduring relationship with the McWilliam family.  Whilst 2012 marks the 90th Vintage at Mount Pleasant in the Hunter Valley, it also honoured the 135th anniversary of winemaking for the McWilliam family.

Maurice O’Shea’s leadership was instrumental in positioning the Hunter Valley as a premium wine region. Brian McGuigan remarked “Maurice O’Shea did something special. He had something really outstanding in his capacity to recognise the certain traits of grapes and wine”. A pioneer of early Australian winemaking, Maurice O’Shea literally changed his field. Produced in a era where fortified wines were the standard – flagship styles of Shiraz and Semillon were championed without electricity, machine-driven cooling systems or any of the modern winemaking equipment used today. Maurice O’Shea’s wines were a testament to his vision and skill as a viticulturist and winemaker. Experimental blending, styles developed for the market and sophisticated wines with prudent alcohol levels were O’Shea’s specialties. The mastery of his craft is evident with the refined intensity and longevity of his wines, many of O’Shea’s wines outlived the man. O’Shea’s table wines showed creative artistry and have left a lasting impression on the world as icons of the Hunter Valley, and set the standard for Australian wines at their best.

The Hunter Valley Wine Industry Association has formed valuable links with the University of Newcastle to collect and share historical narratives of our region’s winemaking past. Julie McIntyre from the University of Newcastle presents the notion that “wine is a creative field in which art and science combine. As O’Shea blended his wines, he blended together the idea of wine and it’s place in history”. Julie’s representation of Maurice O’Shea provides insight into Maurice O’Shea’s daily work. Describing him as one of the true romantics of wine, Julie read from a letter penned by O’Shea on 15 February 1924:

We expect to start the grape picking on Wednesday next though at this moment it seems hardly possible for us to be ready in time … We are having some heavy downpours of rain just now and it seems that we are to expect a wet vintage. This is a nightmare to look forward to as the ground is so soddy and heavy that the loaded carts often get bogged, or even overturned, and the horses constantly lose their foothold; besides it is heavy work for the animals and knocks them up terribly. There seems to be some trouble in securing grape pickers this year. It is really unaccountable as many pits [mines] are idle and there should be more children than ever”. The account lists the hardships and tribulations that   we no longer face with modern machinery and vineyard practices – although wet harvests are still a challenge and mechanical harvesters have replaced child labour! It seems Maurice O’Shea’s romantic side didn’t end with his passion for wine. His diaries and letters have also provided a valuable account of O’Shea’s affections for Marcia Fuller, whom he later married. Maurice O’Shea on all accounts was a true romantic with the sign off from the same letter:

My Dearest – I hope everything at home is quite satisfactory and that you are keeping your promise of looking after your dear little self so that I shall have lovely rosy cheeks and sweet red lips to kiss … Loving you more than ever – love always, Your Maurice”.

History has made the Hunter Valley so important internationally,” said Hunter Valley Legend Brian McGuigan, “the wine that comes from here; it’s style and it’s quality has separated us from our peers in this country and abroad”. Maurice O’Shea produced remarkable and memorable wines during his lifetime, inspiring many in his industry. It is reassuring to note that many generations of the McWilliams followed in O’Shea’s footsteps. Don McWilliam, fourth generation in the McWilliams family and patron for the Maurice O’Shea Mount Pleasant Labels, joined O’Shea to learn the craft from the 1954 Vintage. Sadly, O’Shea passed away shortly after in 1956. Today, Scott McWilliam is senior winemaker at Mount Pleasant representing the sixth generation of this pioneering wine family.

Cheers for the next Century of winemaking at Mount Pleasant!

This article was published in Breathe Magazine Spring 2012, Breathe Magazine – Issue 34, Spring 2012.

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Breathe Magazine requested for me to rewrite my original “Something Fishy” article for their Hunter Valley Wine Show edition.

Something fishy… What’s the Story of Fish in Wine?

I often get asked why there are warnings on wine labels pertaining to fish, milk and egg products. Aren’t the basic ingredients of wine just grapes and yeast? Sometimes we need a little help to optimise our basic ingredients.

In the Fermentation process, yeast converts the grape sugars (glucose and fructose) into alcohol (and carbon dioxide). Yeast can be found naturally on the skins of the grapes, or it can be introduced. The type of yeast can also affect the flavour, aroma, texture and body of the final wine.

The winemaker may also choose to put the wine through secondary fermentation. Malolactic Fermentation (or Malo for short – pronounced “May-Low”) would usually occur after the primary ferment. During Malo, Lactic Acid Bacteria get busy converting Malic acid from the grapes into Lactic acid in the wine. Lactic acid is not as sharp and acidic to taste, resulting in a wine that has a smoother mouth feel. Malo can result in a buttery, creamy Chardonnay, but if not done skilfully can end up causing faults in the wine.

It is a sad ending for the yeast as after primary ferment, it dies. Unfortunately, the yeast is a casualty of our consumption. Making matters worse, all the residual and dead yeast cells or “lees” are now floating around in our wine. There may also be natural proteins, bacteria and other particles suspended in the wine. I don’t like “floaties” in my Shiraz or Chardonnay. What is the solution to this problem?

Winemakers use a fining agent to flocculate at various stages during wine production, ensuring your Hunter Valley Semillon is crystal clear. Clarity, brightness and transparency are important for both the wine judge, and us wine drinkers.

Flocculation: [verb] forced removal of sediment from a liquid through addition of a flocculating agent. Gravity controlled flocculation precipitates solids within a liquid.

Now for the science lesson: as the diagram suggests, the fining agent is added to the top of the tank, weighs down on the dead yeast cells (and other “floaties”) and drags everything to the bottom of the tank where it can be siphoned off.

Fining agents can improve haze, phenolics, astringency, colour, flavour and even off-odour in wine. Therefore, fining is a process which results in a wine created with finesse, which may also have attractive qualities not present in unfined wine.

Stabilisation can be used to prevent wine faults caused by environmental changes to temperature, humidity and movement. Unstable wines can be subject to haze, tartrates and premature ageing. For example, Cold stabilisation encourages liquid tartaric acid to solidify. “Wine Diamonds” (tartrate crystals) form when the wine is very cold. They develop in small crystals or long shards and can be removed prior to bottling. Sometimes these form in the finished bottle – they may look like glass but are completely harmless.

So where does fish come into this? Not to worry – winemakers are certainly not throwing seafood medley into the tank!

Below are some common fining agents:

Isinglass (pronounced eye-sin-glass) is a gelatin derived from the air bladder of a fish – especially and traditionally the sturgeon. Isinglass is expensive, delicate, will not strip flavour and often used with white wines.

Gelatin has been used to fine wine since Roman civilisation. It can remove harsh tannins, bitter flavours, and improve astringency.

Casein. Casein is an active protein in skim milk or powdered skim milk. It can be used to nullify astringency and bitterness in white wines, sometimes lightening the colour.

PVPP or polyvinyl-polypyrrolidone is a synthetic polymer chain that behaves like a natural protein.

Albumin is the fining agent relating to eggs. Only the whites are used (sometimes powdered) – so never sunny side up! This is usually reserved for red wines and believe it or not it’s only 1-2 egg whites for 100 Litres of wine.

There are natural proteins present in grapes that may cause a cloudy haze if the wine is subject to higher temperatures. Bentonite is a naturally occurring clay or mineral derivative that stabilises the wine, preventing cloudy protein haze in the wine.

Did you know? Bulls blood was commonly used as a fining agent in many European countries including France, until 1997 when the EU banned this practice as a measure to curb Mad Cow’s Disease.

If I’m allergic to seafood do I have to avoid wine?

No. Not even with wines fined with Isinglass. The protein in fish which commonly causes allergic reactions is called parvalbumin. It’s not normally found in isinglass.

Modern manufacture of isinglass ensures no residual parvalbumin remains. The European Food Safety Commission led the way and granted isinglass exemption from allergen labelling laws. In 2009, Food Standards Australia New Zealand (FSANZ) also granted food labelling exemption for isinglass in beer and wine. Even if trace parvalbumin snuck into the wine with the isinglass, it would settle with the isinglass when flocculated and be removed in the filtration process.

This doesn’t sound kosher!

Well technically, isinglass that is derived from a sturgeon isn’t. However isinglass from a kosher fish is. Other un-kosher fining agents include gelatin, casein.

I’m a vegetarian /vegan?

A lot of wines on the market are still unfined or use vegetarian-friendly fining agents. Synthetic fining agents are increasingly popular, and Bentonite is one of the most common fining agents. It is important to consider that some wines and many beers may not be suitable.

Vegans can look for wines that boast “unfined” or “unfiltered” or Bentontite/clay. Some wineries are cleverly labelling for vegetarian and vegan consumption determined by their winemaking processes. Just because some wines are labelled as vegetarian-friendly doesn’t mean that the wines that don’t specify aren’t already suitable for vegetarians or vegans. Continue enjoying Hunter Valley wines and if you are concerned – read the label and ask the friendly folks at the winery.

Testing has shown that there is limited capacity for wines to absorb fining agents and when they have been detected, only in negligent proportions. Fining is considered more natural and delicate a process than filtration which can rapidly strip a wine of colour and flavour. It’s also an important part of traditional winemaking practice that Australian winemakers have inherited from our old world wine countries.

So now you know more about the processes behind some of our proud award winning wines– celebrate quality Hunter Valley wines and appreciate the complexity of the science and skill it took to produce them.

Cheers to that!

 

This article was published in Breathe Magazine – Issue 30, Spring 2011  “Hunter Valley Wine Show edition” – see link.

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Some people don’t correlate the relationship between sugar, yeast and alcohol.

In Australia the only legal permissable use of cane sugar in wine is for “dosage” in Methode Champenoise or Sparkling Wines. (This is one reason Sparkling Wines have more calories ladies…). Thus, the only legal way (in Australia) to get sugar in your fruit (grapes) is to make sure they ripen – natural sugars are glucose and fructose.

We are allowed to add alternate means of acid and tannin as well as preservative. This is a good thing:

Consider some other kind of fruit growing in your back yard. If you picked a tomato when it was green, there is a higher amount of acid than there is sugar. The longer you leave it on the vine, the more this balance sways the opposite way – less acid to higher sugar.

Same thing goes for grape vines, we need more sugar in our grapes than acid for the average wine. Keeping in mind this is natural sugars that build up through photosynthesis in the grape vine. (Sunlight + leaves = ripe fruit)  But if we harvest too ripe, we can then back up the balance with extra acid/ tannin. If we harvest too early its going to taste tart and acidic and will probably have to be used for Sparkling Wines.

Why is all this important? What I am about to demonstrate is a science lesson.

In order to make wine, we use the basic principal called fermentation. Fermentation works like this:

Sugar +Yeast = Carbon dioxide + Alcohol

Yeast can naturally be found on the skin of the grape, so traditionally none needs to be added. However, as later described, “super” yeasts have been grown in order to be more resistant as well as consistent. Yeast will also affect the flavour.

Yeast is a living thing. Consider this: “Yeast Man”

“Yeast Man” eats sugar, and through this process, Alcohol and Carbon Dioxide are released. This is why wine is alcoholic, and also why Champagne has bubbles. (More on this another day).

But “Yeast Man’s” Kryptonite is: eating and shitting in the same place. Hes a greedy little bugger and creates a sort of toxicity that even he can’t survive. Yeasts will keep going through this fermentation process until:

  1. He runs out of sugar
  2. The temperature gets too high and he dies
  3. The temperature gets too low and he goes to sleep
  4. Too much alcohol takes over in the early stages of the wine and he drowns in his own piss

The amount of sugar in the fruit will depend on the amount of alcohol in the wine – unless the yeast is killed and residual sugar is left over. This often produces a fruity or sweet wine.

Some yeasts are more resistant than others but on the most part – too much alcohol or the wrong temperature will kill a normal yeast. This is when “Yeast Man” gets a makeover and they reinvent him as a da da da da…. SUPER YEAST MAN!

Super Yeast Man laughs in the face of danger. (Well not really, but they can build yeasts that don’t die so easily).

But it has not been identified whether Super Yeast Man’s Clark Kent is named Brett (after Brettanomyces) or Lee (as Lees is the name given to dead yeast cells).

So now you understand (or are even more confused than before) about Yeast and Fermentation, take a moment to consider all the living yeast cells that had to die for your glass of wine. Casualties of consumption.

Cheers!

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I was so excited this week. I’ll get to this in a second.

I am a huge supporter of Facebook for Business marketing. I started Petersons Wines off when I worked there and it now is in the thousands in both friends and fans. Its been brilliant with lots of rewards for wine drinkers including notification of events, novelty of applications, new releases and general interaction with your favourite winery INSTANTLY.

When I started the use of Facebook I was hit with criticism. From other colleagues ( to whom I am blowing a big fat raspberry of phooey); other wineries (who ironically now also “have” to use it to remain competitive which I lOVE), from marketers and from others. But overall the response what beyond expectations, so much so other wineries and businesses followed suit. I even did some consultancy work to establish the same for other wineries. FIGJAM.

But enough on this. I WAS SO EXCITED THIS WEEK… because last week I was able to offer a winery advice on how they could increase hits to their Facebook page. They posted asking for advice from consumers and I thought… I can do this…

So I rattled off some quick (but extensive) list of what I know all about social networking marketing.

And this week I got a message from that winery saying I’d won a twin pack of wine for offering advice. I would have done it for free! So in return I’ve decided to give them a plug on my blog. (I hope they don’t mind)

I received in the post today, a bottle of Deen De Bortoli Vat 7 Chardonnay (and a Durif TBA). I believe “South Eastern Australia” is a euphemism for Griffith (Australia’s largest chunk of wine growing).  This is also obvious because De Bortoli are also known for their Noble One (very very good) and Griffith is perfect locale for growing Botrytised fruit. But could indicate anywhere else within the vicinity of South Eastern Australia.

I was provided with tasting notes but chucked these out. Wine is subjective and this is what I thought of it:

A bright, yet pale lemony straw colour without that heavy oaky colour.  An oaked Chardonnay with a nice leaness about it. Its there but if you weren’t totally looking for it you might forget you don’t drink oaked chardonnay. Its definately NOT new oak. But its got a nice rounded palate with full display of peach, and mandarin and a hint of rock melon. True varietal characters. A nice level of residual sugar remains on the palate – something sure to please the masses, and works really quite well  for this wine as its backed up by pleasant acidity.

I enjoy the complexity of the bouquet here – again Yellow Peach, almonds/nuttiness, and really reminicent of… Chardonnay. Its suffice, exactly what I would expect. Very pleasant. Enjoyable.

I ideally, would match with spicy seafood including Thai Chilli Prawns, or something with an Asian  spicy slant. Anything kind of fruity goes great with spice – and as a solid wineo, this is why I don’t totally reject fruity wines. Don’t get me wrong – its not fruity for a supermarket wine, its fruity for a cellar door wine. I also LOVE spicy foods. BUT… for me Anything Goes with Chardonnay. If I had a movie about my life, that would be the title.

13% al/vol, screw cap. http://www.debortoli.com.au/our-wines/our-brands/deen-vat-series/listing/view/deen-vat-7-chardonnay-2009.html 

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Not really a wine focused blog entry, but thought I would share it with you anyways… We just took a night off from everything and spent a lovely night in North Sydney. The Views from our room were spectacular.

We started in the afternoon with a complimentary easy drinking Charmat “Cuvee” Bubbles provided by the Hotel, shared a few great oaked Chardies (and one bad one) at dinner and finished it off with some more lovely Petersons 2005 Mudgee Durif that we brought from home. A night of eating, drinking and relaxation.

 

How good are the views?

Had a great time, wished you were there!

BUT Great to be home – back in the Hunter Valley and relieved I only have to face 2 sets of traffic lights on the way to work!!    :p

Cheers!

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Hybrids. What do we know about them?

Cheap to run, fuel saving, energy efficient… Disease Resistant?!

Hybrids of the wine world are those single varieties which are genetic result of two or more other grape varieties. But how prominent are hybridised varieties in the Australian Market? They might be more common than you think.

Is Chambourcin the mule of the wine world? A favourite amongst hybridised wine producing grape varieties, Chambourcin has held its own through being a deep coloured wine with intense aromatic flavour, and not having any “foxy” flavour carried by many hybrids. Along with its intense colour it is interestingly one of the worlds only Pink-Pulped varieties. It is also favourably resistant to fungal diseases – a reason it has become popular to the Australian climate. It also makes a fabulous sparkling wine – and we all know how much Australia loves Sparkling Red. So what’s wrong with a mule if it pulls the cart the same… if not better than a horse?

But would a wine by any other name still taste as… sweet? Chambourcin has only been available since 1963, and was developed by Johannes Seyve. Once upon a time, Chambourcin was named Johannes Seyve 26-205 and I once read, “Chambourcin” is also the name of a cheese. Perhaps its excellent pairing with cheese lead to the naming? Unfortunately for us, Johannes never wrote anything down when he was cross-pollinating with his paintbrush (forcing flowers to fornicate can really be a distracting process). Johannes defiled up to 8 vitis ancestries to produce Chambourcin and unfortunately for us, later died with no records of the official parentage (and we do hope it was of natural causes and not owed to Chambourcin). Mystery is not always romantic, but the grape was born from a native North American grape, and French vines in the Loire Valley. Chambourcin still remains a bastard of sorts not knowing who its many fathers are.

Perhaps it comes back to the naming of the grape. If its pseudonym sounds traditional - a hybrid is more easily accepted by the Old World. Take for example Durif. In Australia more often than not – we call it by the name of the man that invented it. The Durif variety originated in 1880 when François Durif (a botanist) founded a cross of Syrah and Peloursin. Egotistically he named it after himself – but hey who’s judging? – I had a wine named after me too. The point of the story, is that the majority of Petite Sirah plantings can be DNA proven to be Durif. Same Diff huh? Apparently this happens alot.

Of  course Zinfandel‘s fairy tale story arouses the continual arguement of nature versus nurture. Zinfandel has been genetically proven to be the same grape as Primitivo of Italy and Crljenak Kaštelanski of Croatia. (yeah dont ask me how to say that last one). So what happened? Separated at birth, given different names, regional terroir and traditons change the style of wine produced and we just forgot that it went on a holiday under an alias? Did they not check the passport? Keep in mind, this example is not a hybrid, but each is a clone of the same variety. Which one is Molly?

Australia (and many new world wine producing countries) tend to be kinder to hybridised varietals than the old wine world. I have heard that the European Union has prohibited Chambourcin to be blended with traditional varieties. This seems to be a bit “variety racist”. But is it ironic considering the origins of many of Europe’s “traditonal” grape’s ancestry. As well as the fact that many “traditional” varieties are grafted onto American root stocks in order to be disease resistant.

Speaking of “traditional” grape varieties…. Merlot, Chardonnay, Shiraz, Cabernet Sauvignon… BUZZ Epic Fail. What most people DON’T know is that Cabernet Sauvignon (although naturally occuring) is a hybrid… of sorts. Originally from Bordeaux, and considered the noblest of grape varieties, Cabernet Sauvignon has long lived a lie. OOh I feel like a gossip columnist…Ever wondered why Cabernet Franc has blackcurrant , cassis, tabacco and raspberry flavours and so does Cabernet Sauvignon? Also, Cabernet Sauvignon sometimes has herbaceous greeness, and what other “Sauvignon” carries these green grassy flavours? You betcha! Sauvignon Blanc and Cabernet Franc had a dirty weekend in the 1600′s. And Cabernet Sauvignon is in fact a love child. And I blame the French. Well – they obviously knew all this time… they NAMED the grape. Perverts, probably set them up on a blind date. This grape family is truely dysfunctional with all this DNA testing.

Apparently Humans share up to a third of our DNA with a Lettuce, and in my reasoning, a lettuce and a grapevine can’t be that far apart genetically. Perhaps we have a close affiliation to wine because we share DNA. You can’t choose your family hey? But I admit… I am another Chardonnay Clone.

Cheers!

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Why do they plant roses at the end of each Vineyard row post?


This is a common question I recieved from customers when I was working the cellar door. There are various reasons that I know of that I will share with you.

Roses and Grape Vines tend to be very compatible:

  • Grapevines can live a long life and in some cases up to 100 years. Standard Roses can also live especially long, to several hundred years old.
  • Roses and Grapevines can suffer some the same fungi including powdery mildew.

Disease Indicator

  • Roses are often more sensitive to diseases and fungi than grapevines.
  • The common belief is that when it is noticed the Rose is being affected by powdery mildew (for example), that the viticulturalist could take this as an indication that their vineyard could also suffer from the same and they could spray.

I believe this is where the theory is at fault. Sulphur is commonly used as the spray. Sulphur can only be used as a preventative measure as it won’t “cure” powdery mildew, it can only prevent it. If by chance you notice your Rose is affected, I think it is likely it is too late for the vineyard.

Historical ‘Prick’

  • Historically, before the time of tractors and modern machinery, man used horses or mules to cart what was needed.
  • Horses and carts do not have excellent turning circles
  • Horses are not dumb animals
  • Roses are prickly

A rose at the end of the row gave the horse extra incentive to take the turn wide. If they were lazy it was easy for the cart to wipe out the last Grape Vine in the row, or snag on the wires that support the Vines. With the tall and prickly Rose, the horse knew better to turn widely as to avoid the thorns.

I also remember flicking through the South Australian family history books and seeing rose bushes at the end of rows that were more like great towering trees, very intimidating to a horse if you ask me.

Aesthetics

  • Roses are very beautiful

Due to the lifespan of the Rose in similiarity to the Grape Vine, and also that they suffer from similar diseases and the vineyard sprays will not hurt the Rose, it is an excellent plant to have to increase the aesthetics of the vineyard. They also require to be pruned the same as a Grape Vine and go into a similar state of dormancy so they aren’t an exceptionally “needy” plant.

This theory also sits well with me because every vineyard I have ever seen (oh and I’ve seen many) only had Roses planted on the row ends that are visible to the public – around carparks, tasting rooms, driveways.

Cheers!

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So I’ve started a new job in a totally different industry to my previous endeavours in wine. It’s been great, wine is now not my job, its my hobby. Although some could argue they could overlap somewhat. And even more disappointingly, gastronomy is no longer tax deductable!

In my past life, I was a jack of all trades, working for a small winery in marketing, wine clubs and wore many hats. One of these hats included tasting notes, writing about wines and assessing them against benchmarks. This is something I wish to continue via the blog. I also was an educator of sorts behind the bar. How can such a young person know so much? What course did you do? Well simply I listen, I learn, I observe and half of what I know comes naturally. Of course I went to school at 6 and was realised with the stark reality that noone else lived on a vineyard.

An honour I achieved in this position was a special credence of tradition:


Certain members of staff had been lucky enough to be labeled. I was fortunate enough to have my own Methode Champenoise. You could say I am bubbly, not cheap and showing some aged characters but then we’d have to get serious. It is a 1999 Pinot Noir Chardonnay Viognier and was absolutely divine for all its worth – fine delicate and intricate. Stone fruits from the Chardonnay and hints of Viognier enveloped by honey, nuttiness and toast.

After visiting my previous workplace today and having a great time catching up with friends (staff and customers), I was feeling a little nostalgic over my heavy glass of Viognier. Thus, this blog, an idea that I have had to make wine more approachable and help people see it the way I do has come to fruition. This little seed has “blossomed” and the blog is born.

Kathryn and Rhiannon

The double entendre here is that apparently since I have left the wine industry that I have also “blossomed”. Perhaps something  routine and everyday appears shiny and new when you make it fun again. I’m glad Wine can be this to me. And I hope that someone out there will share this with me.

Cheers!

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