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Posts Tagged ‘Moselle’

Why don’t you rate wines?
I have been asked several times why when I’m reviewing or writing about wines, why I don’t offer them a score or a numerical rating. Aside from not being a really efficient numbers person – maths has never been my strong suit – I don’t score wines because I want to make wine accessible, relatable and easier to appreciate.

For me, wine is subjective. Every wine is different, and so is every person and their preferences and tastes. Our collective experiences in life are also different, this means that in the grand evolution of our wine tasting palates, some people are old and wise whilst others are naive and frivolous – irrespective of our physical age.

Some of us never change… Our hair, our clothes… our wine. This is why there is a still strong market for sweet fizz and why they still make Moselle. It also explains why some people still get a perm and kept their denim jackets in case they come back in fashion! (heads up they are everywhere in the USA so they might be back next season!)

Fashion and fads
Everybody and I mean everybody must be drinking Sauvignon Blanc right now. It is so in fashion right now. The Sauvignon Blanc aisle at Liquorland is strangely the centre of the bottleshop universe. But why? With all their wines, the range is still limited and there are only select few I would consider purchasing. I asked Hunter Valley legend Karl Stockhausen about his opinion on fads and trendy wines for my last article. He said generally consumers flock to obvious characters in wines. What I find annoying (cloying green passionfruit) in Sauvignon Blanc, the normal everyday consumer recognises as delightfully obvious. The same went for over oaked Chardonnay. Over done, and overly obvious.

Karl also told me a story about a more recent line up of winemakers and Sauvignon Blancs for a wine magazine. After tasting all of these wines, though technically well made, none of the experienced palates of these winemakers actually personally liked any of the Sauvignon Blancs. Makes you think doesn’t it?
Biggest selling variety right now and the people making it don’t even like to drink it? It reaffirms everyone’s different and this way you and I never have to share!

Old faithful
I like to go home and drink Chardonnay but that doesn’t mean I don’t have the technical skill to evaluate and appreciate how well made or technically correct a Cabernet Franc, or Chenin Blanc is. It just means that when I’m at home in the privacy of my living room, the first thing that takes my fancy is a good old Chardonnay!

On our recent trip to the USA all we really drank was Chardonnay! Flicking through our photo album has been like, “this is us in San Francisco (drinking Chardonnay), oh and here we are in Vegas (that was a lovely Chardonnay)…check out the wonderful Chardonnay we bought in New York!”

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I find Chardonnay to be complimentary to whatever choose to burn for dinner, and it’s a great match with tacky reality television. The irony is I have always preached the importance and value of wine matching to food in the formal arena, but even I take the low fuss road and enjoy what is in the fridge. Everything goes with Chardonnay!

My Chardonnay doesn’t judge me or my remote control in my Pajamas, and I don’t score or rate how perfect or imperfect my Chardonnay is. We have a great thing going on.

Surely a wine covered in golds is the best….
When you see a wine rated a certain number of points or boasting various stickers of golds or medals, there are certain things that that wine had to be scored upon that appeal to a wine judge. First, usually the wine is submitted to the writer or the wine show. Mostly, wine shows charge the winery to submit per wine, per category of style they wish to enter. It can be a costly process. They give the wine a number, and rate colour, clarity, aroma, palate, length of palate, acid balance, fruit, varietal definition and style against benchmarks and wine faults.

The score is added up and all scores are assessed and scaled against gold silver and bronze. The scores will determine how many medals are given in that category. They could all be bronze. Or none could rank high enough for a medal at all. If there are multiple golds, points determine a top gold and if the wine is deemed spectacular enough, a trophy is awarded. Really, it’s the trophies you want. Most wineries have a filing cabinet full of bronzes and silvers and this is why it’s not overly exciting to see the shiny sticker on the bottle. And trust me, it’s not exciting to have to be the person who sticks those on straight on every bottle. I did that on a labeling line through high school!

Just because James Halliday or the Royal Hobart Wine Show says its a gold, 5 star or a 95 point wine doesn’t mean you’ll even like it. It comes back to personal preferences and palate experience. I know a wine, a Hunter Semillon, that kept winning the trophy at various shows. Technically brilliant, faultlessly interesting. Great acidity, hints of minerality, good length of palate, flawlessly developing honeyed characters and mellowing off as bottle age took hold. The general consumer would taste it and say “very tart” and pull a face. They weren’t talking about me! Their palates were simply not ready for it, nor should they have to wait for the right food (delicious with the right food). The average joe would have rated this multiple trophy winner 1/5.

Back to me
So if I rated or scored a wine, should it be because I liked it personally, or should it be because it was faultlessly made or technically correct, or both? Neither. Just because the experts say its good doesn’t mean you’ll like it. And just because you like it doesn’t mean it’s a well made wine. But who really cares as long as you like it (and it’s Australian grown and made! No more NZ rubbish!)

You can’t even take my professional opinion seriously anymore because you know I went half way across the world and had my Chardonnay Tour, then came home and had some more! I suggest everyone read up on wine, sample as many different wines and styles and regions as possible until you find something you love. And I promise I do venture away to other styles and varieties occasionally!

The moral of this story is a “good glass of wine” doesn’t necessarily mean the same thing as a “glass of good wine”. But ultimately, I enjoy both and so should you!

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The Ben Ean Still2011 Heritage Award winner ….

Hunter Valley Living Legend Karl Stockhausen shares the history & stories of this wonderful Hunter Valley icon with Rhiannon Stevens.

Each year in the Hunter Valley, we celebrate and acknowledge excellence with our Wine Industry Awards and induction of our Hunter Valley Legends. In 2011, the Hunter Valley Heritage Award was presented to the Ben Ean Winery Old Still House.

Despite being formally recognised as having integral historical importance to our region, little is known as to the origins of the Still at Lindemans Ben Ean. It is believed the Still was already in place when the Ben Ean property on McDonalds Road Pokolbin was purchased from John McDonald by Dr Henry Lindeman in 1912. Who better to ask about this icon than the amazing Hunter Valley Legend – Karl Stockhausen?

So what is a Still?
A still is a permanent apparatus used to heat and then cool liquids to condense and capture vapours. The Ben Ean Still is a simple Pot Still, with a single chamber heated by a steam boiler piped from the Ben Ean Winery.

The purpose of the Ben Ean Still was to collect alcohol and produce Brandy. Pot Stills only give one condensation due to having one pot. The first distillation results in low concentrations and the process is repeated to get higher concentrations. When Karl had used the still in the early 1960′s the first distillation would succeed, however secondary distillations would frustratingly lose alcohol in the process. As the Still is made of copper, the natural properties of Copper remove sulfur from the alcohol. In doing so, the metal eventually corrodes. The carry-over to the condenser column metals were so eroded that alcohol escaped. A Customs Officer informed Karl that they may have to pay duty on the alcohol losses and Lindemans Head Office quickly replaced them with new ones! The Pot itself and the Condenser are of the original Still.

When Karl Stockhausen first arrived at Ben Ean in 1955 there were large stores of Brandy from the Still. Karl recalls being appointed Winemaker and Manager of Lindemans in 1959, and using the Still to recover losses from left over grapes after pressing, through distillation. The labour intensive process was fraught with losses and by the early 1960′s, Karl had convinced his directors to retire the Still. By 1964 the Still was no longer in use and Karl could invest his passions into making Hunter River Riesling (Semillon).

Karl is cautious to assume the Brandy from the Still was used to fortify wines such as Port or Muscat styles. This is because it would have been difficult to produce high concentrations of alcohol (Ethanol) used in Fortified Wines. In order for this, the Still would have required a rectifying column which separates the different alcohols respective of their different boiling points. This means that the Still at Ben Ean was likely there to satisfy a personal preference for Brandy consumption.

Is it a taste for Brandy which has paved the way for Australian wine?
Until the 1960′s the majority of Australian wine on the market was fortified in the style of Port or Sherry. Perhaps it was the shortage of beer and spirits during the second world war which encouraged the consumption of fortified and table wines. Alternatively the appeal of a sweet, rich wine with brandied complexities to an early wine drinker may have begun the evolution of Australian palates. A preference to Brandy may have lead to a taste for fortified wines, which evolved into curiosity for table wines.

A growth in Australian wine sales from 1960 owes to greater popularity in styles such as the semi-sweet Ben Ean Moselle, enjoyed characteristically of the era with an Alpine Lite! Karl Stockhausen blushes as he tells this iconic wine of the 60′s wine boom was first made at Ben Ean in 1956, but was not yet what the market wanted. Later, the market became enamoured by the fruit friendly forwardness of the Ben Ean Moselle. Many a wine drinker owe their interest and evolution of their own palates to the entry-level Ben Ean Moselle, which became the biggest selling white wine for over a decade.

In the late 1960′s dry red wine sales were greater than whites. Karl recalls 1965 Vintage as peculiarly dry and hot whilst still producing an unusually large crop. This meant all open fermenters were full, leaving none to take the quickly ripening fruit. They managed to leave off harvesting the Shiraz it until well into March. When they finally harvested, the sugar content in the fruit was exponentially high, leading to high alcohol percentages and worried Winemakers. At the end of Vintage, Karl explains the Lindemans directors came to the Hunter Valley to taste the wines. “They were the best range of Hunter Reds they had ever seen”. Top shelf styles, Karl describes as “fabulous wines” all still revered today. Karl proudly tells me that recently a bottle from 1965 broke the record, selling for almost $2000.

Other influential styles that Karl Stockhausen has been involved with include the iconic Hunter River Riesling, which was an alias for one of the three Semillon styles he produced at Lindemans. The next trend, for shoulder pads and oaked Chardonnay emerged in the 80′s.

But what is it about these wine styles that give them decade long demand? Karl’s theory rests on The Obvious. Literally. Karl explains, “It was not the flavour of Chardonnay but the obvious oak that made it popular. Sauvignon Blanc, although opposing in style also carries obviousness of character.” Karl explains that wine drinkers are searching for characters they can recognise in their wines. For fortified wines it was the Brandy base, Moselle was sweet supple fruit, Chardonnay was buttery vanillin oak. For Sauvignon Blanc it’s about gooseberries, crispness and green notes. But it’s more than often too hot to grow this variety in the Hunter Valley. McGuigan Wines have now announced their market friendly home grown competitor, affectionately named The Semillon Blanc, using our Hunter Valley reliable and faithful staple, Semillon. Karl describes this wine as a “modern late picked version of Semillon, with full varietal flavour up front, something that lends well to current palates”.

So what for the future, as we all become more familiar with the wine world and more informed about personal preferences of style. What wines will be fashionable? I am a product of the 1980′s and can’t go past a good Chardonnay, but I’ve always said drink what you like. (That way no one has to share!)

Take the opportunity to go back to our roots and enjoy the Hunter Valley’s heritage Ben Ean Still for a wine tasting at Lindemans.

Cheers!

This article was published in Breathe Magazine Summer 2011-12, Breathe Magazine – Issue 31, Summer 2011.

So from here I say bon voyage, as we Jetset across the world for an amazing trip of a lifetime!

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The wine industry is forever chortling about all the Verd-del-hoes, Mossel’s,  “Semillon”-Blancs, Card-on-nays and the occasional discussion on Cabernet Sauvignon as being a blend between the “two” grapes.  Once of my favourites has been the ever faithful “Can I please try the… V..Vi..Vo.. Voyager?”

I am sure the French are not so arrogant to expect the rest of the world to speak French. Afterall they do tolerate the Italian pronunciation of the “t” in Merlot. (But only barely) LOL

One of the more obscure queries in Cellar Door about the once rare Viognier’s origins came from a Frenchman. He had the gall to ask an Aussie whether Australia had named the grape? Her reply was said with the finest roll of the tongue she could afford: “Why on Earth would an Australian name a grape Viognier?” Wouldn’t an Aussie take the easier path? the Frenchman saw himself as somewhat an expert on French wine. He had no idea that the Rhone region uses Viognier and that his people had ignorantly almost sent the grape extinct in the past. Australia had only “borrowed” their Shiraz Viognier co-fermenting technique, and I am proud to name that Australian winemakers have conquerered the technique such as Clonakilla.

It makes me fantasise as to whether the romance and allure of all the fancy enunciations of wine terms would be lost if Australian slang took over more than a “Cab Sauv” or “Chardy”. Does the way we say a word value-add it in any way? Do we drink  “Sauv Blanc” because it makes our life better, out of convenience, fashion or for the plain cultural value?

Would we still appreciate the plonk if thats all it is? I believe there are great implications of this in the Australian market. Many consumers from what I know drink what they like or what market trends subconsciously tell them they like. But sometimes consumers are too afraid or intimidated to order the “Voyager”  in case they embarrass themselves. Many consumers have the money, the drive, the interest, the motive but lack some simple information – the key to ordering what they want. How on earth is that pronounced? Would the sommelier judge them if they didnt say Viognier right?

High praise goes to Yalumba here. Why? Not because they had the first commercial plantings of Viognier in Australia, and not because they were some of the first Viognier’s on the Supermarket Shelves. In an effort to improve the profile of Viognier as a variety, Yalumba drove a major Australian Campaign only a few years ago. On Billboards across Australia and in Magazines and other Print media, Viognier sprawled into the wine marketplace. Their efforts were noteworthy – their campaign simply read VEE-ON-YAY! Can I give three cheers to Yalumba’s marketing team? Hooray! They educated the consumer in a way the consumer wouldn’t even know. Yet, next time you see it on a wine list you can proudly ask for the “Vee-on-yay”.

I was once asked by a customer as to why they had never seen straight varietals like Petit Verdot, Chambourcin, or Viognier before. Plain and simple. Australia is a product of its motherlands and we are very traditional in our ways. If we didn’t mimic the old world wine countries in their styles, the market may not have bought our wines. It is only recently over the past decade or so that Australian Winemakers have taken themselves seriously enough to tackle entrepreneurial styles. Sparkling Red MUMMAH! Straight Petit Verdot OOHH! What is the wine world coming to? There are varietals coming out of the woodworks that I have not even tried before. I was very fond of Lowe Wine’s Tinja Roussanne, and I am very keen to get my hands on the mysteries of unknown varietals.

Cheers!

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