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Posts Tagged ‘semillon’

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2012 Orange Sauvignon Blanc, Lot 689 – 12.9% al/vol

First cab off the rank is invitingly true to its varietal characters, with intense passion fruit and citrus qualities. Zest of orange, pineapple and green mango climb out of the glass. The colour is clean, pale and has high clarity.

Appearances can be deceiving? Oh what fun! Is this a hint of oak I sense when mid-palate stirs soft, toasty and mellowy? Excellent length of palate is supported by ripe citrus right to the tip of the tongue. It is well balanced by fruitful acidity and lee-sy roundness.

There is nothing more I want to do on this Monday of the long weekend than sit in the sun with a glass of this, slightly fuller than it should be by etiquette standards! I would love to serve as an accompaniment to a chicken, Thai basil and mango salad.

2012 Orange Semillon Sauvignon Blanc, Lot 589- 12.0% al/vol

Startlingly bright, this wine’s bouquet proves it is spring and sugar snap peas are in season, and mingling with freshly shucked sweet baby broad beans. Honeydew melon shows more fiercely when allowed to gather more air in the glass. This aromatic beauty also shows kiwi and lime. Delightful!

Sauvignon Blanc qualities shine through with herbal undertones. Passion fruits drive youthful citrusy acidity, clean swept off the palate by elegant minerality.
Semillon is the dominant varietal and this is evident in the steely, citrus backbone of the wine.

2012 Orange Pinot Gris, Lot 666 – 12.9% al/vol

The growing conditions must be devishly good in Lot 666! Not dark, but taking a more golden tone than the previous pair, this wine has a tremendous bouquet of ripe pink lady apples, with fresh cut juicy Nashi pears. But there’s more depth than this, hints of allspice and cinnamon waft from an apple crumble cooling on some faraway windowsill.

The roundness of palate is lent by another sneaky introduction of delicate oak, which accentuates the high notes of the wine. This could linger on the palate for days, the length is incredible, with slight sweet nutty characters as reminders.

I’m really craving to match this wine with roasted chicken Maryland with a creamy mustard and brandy sauce.

Thanks again to Duncan for ushering me samples to review. Cooks Lot wines are consistently high quality, individually defined and yet indicative of the passion of which they are made. Cool climate wines are already fashionable, so follow the trend and seek out these examples. You won’t be disappointed as they are well made, affordable and accessible. It is an absolute credit to this family.

Each wine RRP’s at $19.99  http://www.cookslot.com.au/

If you would like to have your wines reviewed, or have any requests, please email me at Rhiannon.Stevens86@gmail.com.

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2011 Hunter Valley Heritage Award recipient ….

Rhiannon Stevens steps back in Hunter history to the time of Maurice O’Shea

Maurice O'Shea

The Hunter Valley Heritage Award acknowledges landmark historical importance that has  influenced or significantly contributed to the Hunter Valley Wine Industry. Previous recipients have included historical landmarks of physical heritage. This year the importance of printed works to the place making of the Hunter Valley region have been acknowledged. The Maurice O’Shea Mount Pleasant Labels are classic collateral heritage endemic to the Hunter Valley, and symbolise our fine winemaking reputation and identity.

At the unveiling of the Heritage Cairn in March 2012, Hunter Valley Legend and sponsor of the Cairn, Brian McGuigan explained “the Cairn project is designed to recognise the people, places or objects that have nurtured and been crucial to the development and stature of the district, so it is fitting that we salute Maurice O’Shea and McWilliams”. Maurice O’Shea founded his vineyard “Mount Pleasant” in 1921, and during the depression forged an enduring relationship with the McWilliam family.  Whilst 2012 marks the 90th Vintage at Mount Pleasant in the Hunter Valley, it also honoured the 135th anniversary of winemaking for the McWilliam family.

Maurice O’Shea’s leadership was instrumental in positioning the Hunter Valley as a premium wine region. Brian McGuigan remarked “Maurice O’Shea did something special. He had something really outstanding in his capacity to recognise the certain traits of grapes and wine”. A pioneer of early Australian winemaking, Maurice O’Shea literally changed his field. Produced in a era where fortified wines were the standard – flagship styles of Shiraz and Semillon were championed without electricity, machine-driven cooling systems or any of the modern winemaking equipment used today. Maurice O’Shea’s wines were a testament to his vision and skill as a viticulturist and winemaker. Experimental blending, styles developed for the market and sophisticated wines with prudent alcohol levels were O’Shea’s specialties. The mastery of his craft is evident with the refined intensity and longevity of his wines, many of O’Shea’s wines outlived the man. O’Shea’s table wines showed creative artistry and have left a lasting impression on the world as icons of the Hunter Valley, and set the standard for Australian wines at their best.

The Hunter Valley Wine Industry Association has formed valuable links with the University of Newcastle to collect and share historical narratives of our region’s winemaking past. Julie McIntyre from the University of Newcastle presents the notion that “wine is a creative field in which art and science combine. As O’Shea blended his wines, he blended together the idea of wine and it’s place in history”. Julie’s representation of Maurice O’Shea provides insight into Maurice O’Shea’s daily work. Describing him as one of the true romantics of wine, Julie read from a letter penned by O’Shea on 15 February 1924:

We expect to start the grape picking on Wednesday next though at this moment it seems hardly possible for us to be ready in time … We are having some heavy downpours of rain just now and it seems that we are to expect a wet vintage. This is a nightmare to look forward to as the ground is so soddy and heavy that the loaded carts often get bogged, or even overturned, and the horses constantly lose their foothold; besides it is heavy work for the animals and knocks them up terribly. There seems to be some trouble in securing grape pickers this year. It is really unaccountable as many pits [mines] are idle and there should be more children than ever”. The account lists the hardships and tribulations that   we no longer face with modern machinery and vineyard practices – although wet harvests are still a challenge and mechanical harvesters have replaced child labour! It seems Maurice O’Shea’s romantic side didn’t end with his passion for wine. His diaries and letters have also provided a valuable account of O’Shea’s affections for Marcia Fuller, whom he later married. Maurice O’Shea on all accounts was a true romantic with the sign off from the same letter:

My Dearest – I hope everything at home is quite satisfactory and that you are keeping your promise of looking after your dear little self so that I shall have lovely rosy cheeks and sweet red lips to kiss … Loving you more than ever – love always, Your Maurice”.

History has made the Hunter Valley so important internationally,” said Hunter Valley Legend Brian McGuigan, “the wine that comes from here; it’s style and it’s quality has separated us from our peers in this country and abroad”. Maurice O’Shea produced remarkable and memorable wines during his lifetime, inspiring many in his industry. It is reassuring to note that many generations of the McWilliams followed in O’Shea’s footsteps. Don McWilliam, fourth generation in the McWilliams family and patron for the Maurice O’Shea Mount Pleasant Labels, joined O’Shea to learn the craft from the 1954 Vintage. Sadly, O’Shea passed away shortly after in 1956. Today, Scott McWilliam is senior winemaker at Mount Pleasant representing the sixth generation of this pioneering wine family.

Cheers for the next Century of winemaking at Mount Pleasant!

This article was published in Breathe Magazine Spring 2012, Breathe Magazine – Issue 34, Spring 2012.

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Why don’t you rate wines?
I have been asked several times why when I’m reviewing or writing about wines, why I don’t offer them a score or a numerical rating. Aside from not being a really efficient numbers person – maths has never been my strong suit – I don’t score wines because I want to make wine accessible, relatable and easier to appreciate.

For me, wine is subjective. Every wine is different, and so is every person and their preferences and tastes. Our collective experiences in life are also different, this means that in the grand evolution of our wine tasting palates, some people are old and wise whilst others are naive and frivolous – irrespective of our physical age.

Some of us never change… Our hair, our clothes… our wine. This is why there is a still strong market for sweet fizz and why they still make Moselle. It also explains why some people still get a perm and kept their denim jackets in case they come back in fashion! (heads up they are everywhere in the USA so they might be back next season!)

Fashion and fads
Everybody and I mean everybody must be drinking Sauvignon Blanc right now. It is so in fashion right now. The Sauvignon Blanc aisle at Liquorland is strangely the centre of the bottleshop universe. But why? With all their wines, the range is still limited and there are only select few I would consider purchasing. I asked Hunter Valley legend Karl Stockhausen about his opinion on fads and trendy wines for my last article. He said generally consumers flock to obvious characters in wines. What I find annoying (cloying green passionfruit) in Sauvignon Blanc, the normal everyday consumer recognises as delightfully obvious. The same went for over oaked Chardonnay. Over done, and overly obvious.

Karl also told me a story about a more recent line up of winemakers and Sauvignon Blancs for a wine magazine. After tasting all of these wines, though technically well made, none of the experienced palates of these winemakers actually personally liked any of the Sauvignon Blancs. Makes you think doesn’t it?
Biggest selling variety right now and the people making it don’t even like to drink it? It reaffirms everyone’s different and this way you and I never have to share!

Old faithful
I like to go home and drink Chardonnay but that doesn’t mean I don’t have the technical skill to evaluate and appreciate how well made or technically correct a Cabernet Franc, or Chenin Blanc is. It just means that when I’m at home in the privacy of my living room, the first thing that takes my fancy is a good old Chardonnay!

On our recent trip to the USA all we really drank was Chardonnay! Flicking through our photo album has been like, “this is us in San Francisco (drinking Chardonnay), oh and here we are in Vegas (that was a lovely Chardonnay)…check out the wonderful Chardonnay we bought in New York!”

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I find Chardonnay to be complimentary to whatever choose to burn for dinner, and it’s a great match with tacky reality television. The irony is I have always preached the importance and value of wine matching to food in the formal arena, but even I take the low fuss road and enjoy what is in the fridge. Everything goes with Chardonnay!

My Chardonnay doesn’t judge me or my remote control in my Pajamas, and I don’t score or rate how perfect or imperfect my Chardonnay is. We have a great thing going on.

Surely a wine covered in golds is the best….
When you see a wine rated a certain number of points or boasting various stickers of golds or medals, there are certain things that that wine had to be scored upon that appeal to a wine judge. First, usually the wine is submitted to the writer or the wine show. Mostly, wine shows charge the winery to submit per wine, per category of style they wish to enter. It can be a costly process. They give the wine a number, and rate colour, clarity, aroma, palate, length of palate, acid balance, fruit, varietal definition and style against benchmarks and wine faults.

The score is added up and all scores are assessed and scaled against gold silver and bronze. The scores will determine how many medals are given in that category. They could all be bronze. Or none could rank high enough for a medal at all. If there are multiple golds, points determine a top gold and if the wine is deemed spectacular enough, a trophy is awarded. Really, it’s the trophies you want. Most wineries have a filing cabinet full of bronzes and silvers and this is why it’s not overly exciting to see the shiny sticker on the bottle. And trust me, it’s not exciting to have to be the person who sticks those on straight on every bottle. I did that on a labeling line through high school!

Just because James Halliday or the Royal Hobart Wine Show says its a gold, 5 star or a 95 point wine doesn’t mean you’ll even like it. It comes back to personal preferences and palate experience. I know a wine, a Hunter Semillon, that kept winning the trophy at various shows. Technically brilliant, faultlessly interesting. Great acidity, hints of minerality, good length of palate, flawlessly developing honeyed characters and mellowing off as bottle age took hold. The general consumer would taste it and say “very tart” and pull a face. They weren’t talking about me! Their palates were simply not ready for it, nor should they have to wait for the right food (delicious with the right food). The average joe would have rated this multiple trophy winner 1/5.

Back to me
So if I rated or scored a wine, should it be because I liked it personally, or should it be because it was faultlessly made or technically correct, or both? Neither. Just because the experts say its good doesn’t mean you’ll like it. And just because you like it doesn’t mean it’s a well made wine. But who really cares as long as you like it (and it’s Australian grown and made! No more NZ rubbish!)

You can’t even take my professional opinion seriously anymore because you know I went half way across the world and had my Chardonnay Tour, then came home and had some more! I suggest everyone read up on wine, sample as many different wines and styles and regions as possible until you find something you love. And I promise I do venture away to other styles and varieties occasionally!

The moral of this story is a “good glass of wine” doesn’t necessarily mean the same thing as a “glass of good wine”. But ultimately, I enjoy both and so should you!

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The Ben Ean Still2011 Heritage Award winner ….

Hunter Valley Living Legend Karl Stockhausen shares the history & stories of this wonderful Hunter Valley icon with Rhiannon Stevens.

Each year in the Hunter Valley, we celebrate and acknowledge excellence with our Wine Industry Awards and induction of our Hunter Valley Legends. In 2011, the Hunter Valley Heritage Award was presented to the Ben Ean Winery Old Still House.

Despite being formally recognised as having integral historical importance to our region, little is known as to the origins of the Still at Lindemans Ben Ean. It is believed the Still was already in place when the Ben Ean property on McDonalds Road Pokolbin was purchased from John McDonald by Dr Henry Lindeman in 1912. Who better to ask about this icon than the amazing Hunter Valley Legend – Karl Stockhausen?

So what is a Still?
A still is a permanent apparatus used to heat and then cool liquids to condense and capture vapours. The Ben Ean Still is a simple Pot Still, with a single chamber heated by a steam boiler piped from the Ben Ean Winery.

The purpose of the Ben Ean Still was to collect alcohol and produce Brandy. Pot Stills only give one condensation due to having one pot. The first distillation results in low concentrations and the process is repeated to get higher concentrations. When Karl had used the still in the early 1960′s the first distillation would succeed, however secondary distillations would frustratingly lose alcohol in the process. As the Still is made of copper, the natural properties of Copper remove sulfur from the alcohol. In doing so, the metal eventually corrodes. The carry-over to the condenser column metals were so eroded that alcohol escaped. A Customs Officer informed Karl that they may have to pay duty on the alcohol losses and Lindemans Head Office quickly replaced them with new ones! The Pot itself and the Condenser are of the original Still.

When Karl Stockhausen first arrived at Ben Ean in 1955 there were large stores of Brandy from the Still. Karl recalls being appointed Winemaker and Manager of Lindemans in 1959, and using the Still to recover losses from left over grapes after pressing, through distillation. The labour intensive process was fraught with losses and by the early 1960′s, Karl had convinced his directors to retire the Still. By 1964 the Still was no longer in use and Karl could invest his passions into making Hunter River Riesling (Semillon).

Karl is cautious to assume the Brandy from the Still was used to fortify wines such as Port or Muscat styles. This is because it would have been difficult to produce high concentrations of alcohol (Ethanol) used in Fortified Wines. In order for this, the Still would have required a rectifying column which separates the different alcohols respective of their different boiling points. This means that the Still at Ben Ean was likely there to satisfy a personal preference for Brandy consumption.

Is it a taste for Brandy which has paved the way for Australian wine?
Until the 1960′s the majority of Australian wine on the market was fortified in the style of Port or Sherry. Perhaps it was the shortage of beer and spirits during the second world war which encouraged the consumption of fortified and table wines. Alternatively the appeal of a sweet, rich wine with brandied complexities to an early wine drinker may have begun the evolution of Australian palates. A preference to Brandy may have lead to a taste for fortified wines, which evolved into curiosity for table wines.

A growth in Australian wine sales from 1960 owes to greater popularity in styles such as the semi-sweet Ben Ean Moselle, enjoyed characteristically of the era with an Alpine Lite! Karl Stockhausen blushes as he tells this iconic wine of the 60′s wine boom was first made at Ben Ean in 1956, but was not yet what the market wanted. Later, the market became enamoured by the fruit friendly forwardness of the Ben Ean Moselle. Many a wine drinker owe their interest and evolution of their own palates to the entry-level Ben Ean Moselle, which became the biggest selling white wine for over a decade.

In the late 1960′s dry red wine sales were greater than whites. Karl recalls 1965 Vintage as peculiarly dry and hot whilst still producing an unusually large crop. This meant all open fermenters were full, leaving none to take the quickly ripening fruit. They managed to leave off harvesting the Shiraz it until well into March. When they finally harvested, the sugar content in the fruit was exponentially high, leading to high alcohol percentages and worried Winemakers. At the end of Vintage, Karl explains the Lindemans directors came to the Hunter Valley to taste the wines. “They were the best range of Hunter Reds they had ever seen”. Top shelf styles, Karl describes as “fabulous wines” all still revered today. Karl proudly tells me that recently a bottle from 1965 broke the record, selling for almost $2000.

Other influential styles that Karl Stockhausen has been involved with include the iconic Hunter River Riesling, which was an alias for one of the three Semillon styles he produced at Lindemans. The next trend, for shoulder pads and oaked Chardonnay emerged in the 80′s.

But what is it about these wine styles that give them decade long demand? Karl’s theory rests on The Obvious. Literally. Karl explains, “It was not the flavour of Chardonnay but the obvious oak that made it popular. Sauvignon Blanc, although opposing in style also carries obviousness of character.” Karl explains that wine drinkers are searching for characters they can recognise in their wines. For fortified wines it was the Brandy base, Moselle was sweet supple fruit, Chardonnay was buttery vanillin oak. For Sauvignon Blanc it’s about gooseberries, crispness and green notes. But it’s more than often too hot to grow this variety in the Hunter Valley. McGuigan Wines have now announced their market friendly home grown competitor, affectionately named The Semillon Blanc, using our Hunter Valley reliable and faithful staple, Semillon. Karl describes this wine as a “modern late picked version of Semillon, with full varietal flavour up front, something that lends well to current palates”.

So what for the future, as we all become more familiar with the wine world and more informed about personal preferences of style. What wines will be fashionable? I am a product of the 1980′s and can’t go past a good Chardonnay, but I’ve always said drink what you like. (That way no one has to share!)

Take the opportunity to go back to our roots and enjoy the Hunter Valley’s heritage Ben Ean Still for a wine tasting at Lindemans.

Cheers!

This article was published in Breathe Magazine Summer 2011-12, Breathe Magazine – Issue 31, Summer 2011.

So from here I say bon voyage, as we Jetset across the world for an amazing trip of a lifetime!

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Dear Blog,

I regret not writing sooner. The longer I left it… the more embarrassed about not writing I became. But the truth is, I did miss you and my attentions, although redirected – were good. I have started to pursue post-graduate study and have simply concentrated all into that over the past few months. And ashamedly, I have still been drinking – just without you…

But over new years, my resolution is to share more wines, laughs and interesting … even boring tales – whining or wining with you.

So tonight, I throught I’d have another crack -

                                                                 –at a stelvin seal that is.

So feeling a bit fruity, I went for a Verdelho. Not a traditional favourite of the real wineo, yet - in my eyes far superior to the herds of crappy Sauvignon Blanc that still saturate the market en-masse. [Seriously? A whole aisle for Sauvignon Blanc? Don't get me wrong, I don't hate the grape. Its not Sauvignon Blanc's fault. In fact I blame the "fad" of Sauvignon Blanc because just like Chardonnay in the 80's there is soooooooooooooooooooooooo (soooooooooooooooooo) many bad ones. A great "Sauvvy B" can be wonderful. But I have never found one in a bottle shop. ]

Back to Verdelho. I think one of Hunter Valley’s regional hero’s is Verdelho. It just works for our climate.

Now the variation for Verdelho can be its let down. They can be anywhere on a scale from dry to fruity, but they are always going to be all about the fruit. This one,  pale straw in colour. Citrus on the nose, reminding me of freshly grated zest. I get a hint of freshly cut pineapple and the last aroma is slightly green like bruised lemon tree leaves. The best part, is with more air and active swilling – the fresh pineapple turns candied – embarrassingly taking me back to pineapple lollies at school (without smelling sweet).

Righteo, the palate. It does have residual sugar, and is fruitier than other traditional varieties, but I don’t mind my Verdelho carrying fresh fruit flavour. And on the scale of fruity its not obscene. Anyway, fruity is why it matches so well with spicy foods like Thai. It can just handle the heat, when a Chardonnay or a Semillon would just go crying home to mummy.

The fruitiness of the palate is tarty, yet fleshy citrus – lemons, mandarins and oranges which have to share the glass with pineapple. The whole palate is backed up by excellent acidity. Just the way I like it. Acidity can save the day in a fruitier style of wine by cutting the palate off short, midway. Its a bit like hemming your palate.

The mouth feel is fun, its smooth…. smooth… zingy (without an annoying spritz) and then clean. The palate is left with a pleasant lingering sensation, and its overall a good example of Hunter Verdelho, and an even better example of why Hunter Valley wine should be the top of the bottle shop purchasing books.

This wine is people-friendly. The Spicy food activist would enjoy this, as well as the naive drinker. Its not a think and drink wine, its really just a pour and adore.

13% al/vol, screw cap, available in bottleshops

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