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2012 Hunter Valley Heritage Award recipient ….

Rhiannon Stevens explores the significance of the Pokolbin Dry Red labels to the heritage of the Hunter Valley…

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Each year, prominent figures and landmarks of historical importance within the Hunter Valley wine industry are honoured at the Hunter Valley Legends and Wine Industry Awards. The Heritage Award recognises longstanding distinction and significant contribution to the Hunter Valley Wine Industry and is selected by the Living Legends. Following the commemoration of the Maurice O’Shea Labels in 2011, the 2012 Heritage Award pays tribute to Tulloch’s Pokolbin Dry Red labels.

The Tulloch family’s incredible entry to the wine industry was realised by accident in 1895 with John Younie Tulloch – a successful business man with interests in grazing, farming and the Branxton General Store. After reconciling a debt with J. Hungerford, John Younie received fourty-three acres at Pokolbin, some of which was under vine. With fervour, he rehabilitated the unattended Shiraz plantings at ‘Glen Elgin’ and managed to produce his first vintage within a year. John Younie’s preeminent enthusiasm and vigour assisted Tulloch’s in becoming the largest producers in the Hunter Valley by the 1920’s, and pioneers of the Hunter Valley wine industry.

Second generation Tulloch, Hector John first released the iconic Pokolbin Dry Red and Pokolbin Dry Red Private Bin labels for Shiraz in 1952. The decision followed decades of selling their wines mainly in bulk to other prominent wine companies of the time – Hardys, Mildara, Penfolds, Lindemans, and even Maurice O’Shea. Changing Australian palates and consumer perceptions of table wines drove Hector Tulloch to establish his own label. The Pokolbin Dry Red labels depict two grape pickers carting a bunch of grapes, and are still used today and represent the status forged by the Tulloch brand. “The motif is representative of the scouts returning from the promised land bearing between them, a bunch of grapes, as referred to in the bible” says Jay Tulloch. “To the family, it symbolises our heritage and commitment to Hunter Valley wines”.
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Among their now extensive range of varietals, Tulloch have a proud tradition of producing medium bodied reds sporting the conservative finesse, complexity and charm that is renowned in the Hunter Valley’s regional terroir. The Pokolbin Dry Red Private Bin style is individually refined whilst substantively true of the Hunter region. The famed 1954 Vintage Pokolbin Dry Red Private Bin won first prizes for both Claret and Burgundy but also Best Red Wine of the Royal Sydney Show in 1956. The late Len Evans recalled in 2006, “At the end of the 60’s, Grange was the same price as Tulloch’s Private Bin” setting the benchmark for prestigious Australian wine.

Today the labels persist as a reminder of the esteem generated by early Pokolbin Dry Red wines of the 1950’s and 60’s, which assisted to raise the profile of the Hunter Valley. The success of the labels can be attributed to both the consistent quality of the wines, as well as the commercial availability in the marketplace. Successful early distribution in the 1950’s and 1960’s placed the Pokolbin Dry Red on every major Sydney wine list and on the lips of the consumer.

There is market appeal for traditional labels as we seek consistency in quality and the familiar. Sometimes we are attracted to the hype of an iconic brand or to relive nostalgia through a wine. The subjectivity of wine evokes emotional connections – it could be in the flavour, the aroma, the narrative, what we ate, who we shared it with or even the label. The acknowledgment of the Pokolbin Dry Red labels through the Heritage Award highlights the value of printed works to both place making and personal interpretation of our wine experiences.

Sandstone cairns are erected to mark Heritage Award recipients, as sponsored by Fay and Brian McGuigan. The Cairn unveiling will take place in 2013. Brian McGuigan states “the Cairn project is designed to recognise the people, places or objects that have nurtured and be crucial to the development and stature of the district”.

Today, the Tulloch tradition lives on under the auspices of third generation, Jay (J.Y), who confirms “the old Pokolbin Dry Red labels were a big part of bringing the Tulloch name to fame.” The fourth generation are preserving the Tulloch legacy through Christina and Jock who manage operations in the company. The Pokolbin Dry Red Labels have contributed to the ongoing success of the Tulloch company and are an unrelenting icon of the Hunter Valley.

Cheers -
Have a wonderful and safe holiday period
Rhiannon

This article was published in Breathe Magazine Summer 2012/3, Breathe Magazine – Issue 35, Summer 2012/3.

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2011 Hunter Valley Heritage Award recipient ….

Rhiannon Stevens steps back in Hunter history to the time of Maurice O’Shea

Maurice O'Shea

The Hunter Valley Heritage Award acknowledges landmark historical importance that has  influenced or significantly contributed to the Hunter Valley Wine Industry. Previous recipients have included historical landmarks of physical heritage. This year the importance of printed works to the place making of the Hunter Valley region have been acknowledged. The Maurice O’Shea Mount Pleasant Labels are classic collateral heritage endemic to the Hunter Valley, and symbolise our fine winemaking reputation and identity.

At the unveiling of the Heritage Cairn in March 2012, Hunter Valley Legend and sponsor of the Cairn, Brian McGuigan explained “the Cairn project is designed to recognise the people, places or objects that have nurtured and been crucial to the development and stature of the district, so it is fitting that we salute Maurice O’Shea and McWilliams”. Maurice O’Shea founded his vineyard “Mount Pleasant” in 1921, and during the depression forged an enduring relationship with the McWilliam family.  Whilst 2012 marks the 90th Vintage at Mount Pleasant in the Hunter Valley, it also honoured the 135th anniversary of winemaking for the McWilliam family.

Maurice O’Shea’s leadership was instrumental in positioning the Hunter Valley as a premium wine region. Brian McGuigan remarked “Maurice O’Shea did something special. He had something really outstanding in his capacity to recognise the certain traits of grapes and wine”. A pioneer of early Australian winemaking, Maurice O’Shea literally changed his field. Produced in a era where fortified wines were the standard – flagship styles of Shiraz and Semillon were championed without electricity, machine-driven cooling systems or any of the modern winemaking equipment used today. Maurice O’Shea’s wines were a testament to his vision and skill as a viticulturist and winemaker. Experimental blending, styles developed for the market and sophisticated wines with prudent alcohol levels were O’Shea’s specialties. The mastery of his craft is evident with the refined intensity and longevity of his wines, many of O’Shea’s wines outlived the man. O’Shea’s table wines showed creative artistry and have left a lasting impression on the world as icons of the Hunter Valley, and set the standard for Australian wines at their best.

The Hunter Valley Wine Industry Association has formed valuable links with the University of Newcastle to collect and share historical narratives of our region’s winemaking past. Julie McIntyre from the University of Newcastle presents the notion that “wine is a creative field in which art and science combine. As O’Shea blended his wines, he blended together the idea of wine and it’s place in history”. Julie’s representation of Maurice O’Shea provides insight into Maurice O’Shea’s daily work. Describing him as one of the true romantics of wine, Julie read from a letter penned by O’Shea on 15 February 1924:

We expect to start the grape picking on Wednesday next though at this moment it seems hardly possible for us to be ready in time … We are having some heavy downpours of rain just now and it seems that we are to expect a wet vintage. This is a nightmare to look forward to as the ground is so soddy and heavy that the loaded carts often get bogged, or even overturned, and the horses constantly lose their foothold; besides it is heavy work for the animals and knocks them up terribly. There seems to be some trouble in securing grape pickers this year. It is really unaccountable as many pits [mines] are idle and there should be more children than ever”. The account lists the hardships and tribulations that   we no longer face with modern machinery and vineyard practices – although wet harvests are still a challenge and mechanical harvesters have replaced child labour! It seems Maurice O’Shea’s romantic side didn’t end with his passion for wine. His diaries and letters have also provided a valuable account of O’Shea’s affections for Marcia Fuller, whom he later married. Maurice O’Shea on all accounts was a true romantic with the sign off from the same letter:

My Dearest – I hope everything at home is quite satisfactory and that you are keeping your promise of looking after your dear little self so that I shall have lovely rosy cheeks and sweet red lips to kiss … Loving you more than ever – love always, Your Maurice”.

History has made the Hunter Valley so important internationally,” said Hunter Valley Legend Brian McGuigan, “the wine that comes from here; it’s style and it’s quality has separated us from our peers in this country and abroad”. Maurice O’Shea produced remarkable and memorable wines during his lifetime, inspiring many in his industry. It is reassuring to note that many generations of the McWilliams followed in O’Shea’s footsteps. Don McWilliam, fourth generation in the McWilliams family and patron for the Maurice O’Shea Mount Pleasant Labels, joined O’Shea to learn the craft from the 1954 Vintage. Sadly, O’Shea passed away shortly after in 1956. Today, Scott McWilliam is senior winemaker at Mount Pleasant representing the sixth generation of this pioneering wine family.

Cheers for the next Century of winemaking at Mount Pleasant!

This article was published in Breathe Magazine Spring 2012, Breathe Magazine – Issue 34, Spring 2012.

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Breathe Magazine requested for me to rewrite my original “Something Fishy” article for their Hunter Valley Wine Show edition.

Something fishy… What’s the Story of Fish in Wine?

I often get asked why there are warnings on wine labels pertaining to fish, milk and egg products. Aren’t the basic ingredients of wine just grapes and yeast? Sometimes we need a little help to optimise our basic ingredients.

In the Fermentation process, yeast converts the grape sugars (glucose and fructose) into alcohol (and carbon dioxide). Yeast can be found naturally on the skins of the grapes, or it can be introduced. The type of yeast can also affect the flavour, aroma, texture and body of the final wine.

The winemaker may also choose to put the wine through secondary fermentation. Malolactic Fermentation (or Malo for short – pronounced “May-Low”) would usually occur after the primary ferment. During Malo, Lactic Acid Bacteria get busy converting Malic acid from the grapes into Lactic acid in the wine. Lactic acid is not as sharp and acidic to taste, resulting in a wine that has a smoother mouth feel. Malo can result in a buttery, creamy Chardonnay, but if not done skilfully can end up causing faults in the wine.

It is a sad ending for the yeast as after primary ferment, it dies. Unfortunately, the yeast is a casualty of our consumption. Making matters worse, all the residual and dead yeast cells or “lees” are now floating around in our wine. There may also be natural proteins, bacteria and other particles suspended in the wine. I don’t like “floaties” in my Shiraz or Chardonnay. What is the solution to this problem?

Winemakers use a fining agent to flocculate at various stages during wine production, ensuring your Hunter Valley Semillon is crystal clear. Clarity, brightness and transparency are important for both the wine judge, and us wine drinkers.

Flocculation: [verb] forced removal of sediment from a liquid through addition of a flocculating agent. Gravity controlled flocculation precipitates solids within a liquid.

Now for the science lesson: as the diagram suggests, the fining agent is added to the top of the tank, weighs down on the dead yeast cells (and other “floaties”) and drags everything to the bottom of the tank where it can be siphoned off.

Fining agents can improve haze, phenolics, astringency, colour, flavour and even off-odour in wine. Therefore, fining is a process which results in a wine created with finesse, which may also have attractive qualities not present in unfined wine.

Stabilisation can be used to prevent wine faults caused by environmental changes to temperature, humidity and movement. Unstable wines can be subject to haze, tartrates and premature ageing. For example, Cold stabilisation encourages liquid tartaric acid to solidify. “Wine Diamonds” (tartrate crystals) form when the wine is very cold. They develop in small crystals or long shards and can be removed prior to bottling. Sometimes these form in the finished bottle – they may look like glass but are completely harmless.

So where does fish come into this? Not to worry – winemakers are certainly not throwing seafood medley into the tank!

Below are some common fining agents:

Isinglass (pronounced eye-sin-glass) is a gelatin derived from the air bladder of a fish – especially and traditionally the sturgeon. Isinglass is expensive, delicate, will not strip flavour and often used with white wines.

Gelatin has been used to fine wine since Roman civilisation. It can remove harsh tannins, bitter flavours, and improve astringency.

Casein. Casein is an active protein in skim milk or powdered skim milk. It can be used to nullify astringency and bitterness in white wines, sometimes lightening the colour.

PVPP or polyvinyl-polypyrrolidone is a synthetic polymer chain that behaves like a natural protein.

Albumin is the fining agent relating to eggs. Only the whites are used (sometimes powdered) – so never sunny side up! This is usually reserved for red wines and believe it or not it’s only 1-2 egg whites for 100 Litres of wine.

There are natural proteins present in grapes that may cause a cloudy haze if the wine is subject to higher temperatures. Bentonite is a naturally occurring clay or mineral derivative that stabilises the wine, preventing cloudy protein haze in the wine.

Did you know? Bulls blood was commonly used as a fining agent in many European countries including France, until 1997 when the EU banned this practice as a measure to curb Mad Cow’s Disease.

If I’m allergic to seafood do I have to avoid wine?

No. Not even with wines fined with Isinglass. The protein in fish which commonly causes allergic reactions is called parvalbumin. It’s not normally found in isinglass.

Modern manufacture of isinglass ensures no residual parvalbumin remains. The European Food Safety Commission led the way and granted isinglass exemption from allergen labelling laws. In 2009, Food Standards Australia New Zealand (FSANZ) also granted food labelling exemption for isinglass in beer and wine. Even if trace parvalbumin snuck into the wine with the isinglass, it would settle with the isinglass when flocculated and be removed in the filtration process.

This doesn’t sound kosher!

Well technically, isinglass that is derived from a sturgeon isn’t. However isinglass from a kosher fish is. Other un-kosher fining agents include gelatin, casein.

I’m a vegetarian /vegan?

A lot of wines on the market are still unfined or use vegetarian-friendly fining agents. Synthetic fining agents are increasingly popular, and Bentonite is one of the most common fining agents. It is important to consider that some wines and many beers may not be suitable.

Vegans can look for wines that boast “unfined” or “unfiltered” or Bentontite/clay. Some wineries are cleverly labelling for vegetarian and vegan consumption determined by their winemaking processes. Just because some wines are labelled as vegetarian-friendly doesn’t mean that the wines that don’t specify aren’t already suitable for vegetarians or vegans. Continue enjoying Hunter Valley wines and if you are concerned – read the label and ask the friendly folks at the winery.

Testing has shown that there is limited capacity for wines to absorb fining agents and when they have been detected, only in negligent proportions. Fining is considered more natural and delicate a process than filtration which can rapidly strip a wine of colour and flavour. It’s also an important part of traditional winemaking practice that Australian winemakers have inherited from our old world wine countries.

So now you know more about the processes behind some of our proud award winning wines– celebrate quality Hunter Valley wines and appreciate the complexity of the science and skill it took to produce them.

Cheers to that!

 

This article was published in Breathe Magazine – Issue 30, Spring 2011  “Hunter Valley Wine Show edition” – see link.

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Growing up, my mum worked weekends in cellar door and so I spent a lot of time with my grandparents who were viticulturists. My family came to NSW from South Australia in order to plant the former Saxonvale vineyard, at Broke. (This was eventually purchased and sold to the mining industry by Michael Hope, the concert entrepreneur of the Hunter Valley.) My grandparents had a hand in planting and/or managing several other estates in the Hunter Valley including Hollydene, Petersons, Briar Ridge, Terrace Vale. My family also established the first vineyards in Port Stephens.

Some of my best memories of the Hunter Valley were collected during my childhood wandering around vineyards – especially Summer time. We would set up a steel grape bin (a large bath shaped bin), fill it with bore water and we had a makeshift pool for the remainder of the day! A lot cleaner than the eel filled dams!

 

PHOTO: Me and My Pa. Palmers Lane, Pokolbin.

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Vintage is the lively time of year when the grapes are harvested, usually between Summer and Autumn. Vintage is the sum of a year’s hard work, with all invested in good weather, exciting quality fruit and a bit of luck. Award winning wines begin with a skilful vigneron.

In order to determine the optimal time to harvest the fruit, the vigneron tests for the right balance of acidity to sugar. Grapes are measured for pH, Total Acidity and Baumé (the concentration of sugar in juice, “pronounced Bow-May”). Harvest too early and the wine will be acidic. The longer the fruit can stay on the vine, the more the natural sugars can develop. It all depends on the style of finished wine the winemaker would like. The right time to harvest might be selected by prevailing weather conditions. These can dramatically change the sugar and acid balance. For example, rain will plump berries, dilute flavour and cause other faults such as mould, mildew and split skins. Due to this, if wet weather is forecast, the Vigneron may choose to harvest sooner rather than later than risk losing their crop.

The fruit can be harvested either by hand or mechanical harvester. Hand picking usually occurs early in the morning, in order to avoid the intense heat of midday sun. Hand picking is fairly gentle on the vines, everyone gets a set of snips and a bucket and you go along the rows, one person either side of the row, until your bucket is full. Some of my favourite memories of growing up in the Hunter was marching down the rows with my bucket. A “bucket boy” (a prized position) quickly exchanges your full bucket for an empty one and tosses the fruit into the “grape bin”, which is being carted by a tractor. An even more prized position is to be driving that tractor slowly through the rows, in an air-conditioned cab. A small amount of Sulphur might be added to the bin of grapes in order to prevent spoilage. The grape bins are loaded onto a truck or towed directly to the winery to be weighed (usually to determine the amount the vigneron will be paid for the fruit). Although not always in money, as I recall my grandparents have been paid in wine and with a car during their time.

When hand harvesting, it can be difficult to get in close to the row and wrestle with the vine canes to get at the plump juicy fruit. In summer, there is also dense leaf foliage, which can be difficult to see the other side. If you’re not careful, you might snip the other person’s fingers! And every variety has different shaped bunches and berries. Pinot Noir would have to be my least favourite to hand-pick as it produces tight and small sporadic bunches! Pinot Noir is a pain in the arse!

In the Hunter Valley, the soils are clay based. After it rains, clay can be very muddy, and slippery. Gum Boot style. If it rains, a garbage bag with a head and arms cut out makes a great raincoat! Hand-picking reminds me of mud, blood, bugs, sweat and tears. These aromas mingle with those of sticky overripe fruit. All saturate the air, emphasised by with the heat of Summer and the sky fills with greedy, invasive vinegar flies. But, grape-picking in the Hunter Valley is a fun, social experience shared by those who were game enough to wage against the heat, and wrestle with the vines drenched in perspiration and juice. Sometimes, it’s simply just the determination to beat the weather to the perfect quality fruit.

At the end of vintage, we would hold a barbecue and closing ceremony. We would hand out funny certificates and novelty prizes to our pickers, such as the “Golden Bucket”. We wouldn’t see these people again until next Vintage.

Hand picking is expensive nowadays. In the early days we could grab a few people from town who wanted a bit of extra pocket money or some exercise and they could be paid a few dollars an hour. Then the government wanted to give everyone a fair go, and be paid properly according to an award. The award was likely 2 or 3 times that of what they were previously getting paid, but amazingly no-one wanted to go grape picking when they had to put their name down on a government form. For a while, Mickey Mouse and Donald Duck turned up for work according to their forms, but it slowly declined.

The alternative is a mechanical harvester. It requires an initial outlay for the machine, ongoing maintenance and one person to drive it. Mechanical harvesting runs through the rows and shakes the berries off the vines. It is often done at night after a full day of ripening to optimise the sugars. It can be done quickly if it looks like rain. Not every vineyard has a mechanical harvester. It is expensive to own and many vineyards contract this out to those who do have one. They can also be rough on old vines. Those operating the harvester don’t get much sleep. During Vintage, they may be called out all over the valley in order to harvest the fruit. One vineyard after another.

Vintage is the only time of year the industry gets a chance to secure their next year’s income, so it is vital their crops are harvested at the right time. Basically in the wine industry if you lose your crop – you don’t get paid.

Once harvested by hand or mechanical harvester, the grapes are taken to the winery where they are crushed and de-stemmed. The resulting juice called “must” which may contain juice, skins and seeds is now ready for fermentation.

I believe during Vintage, there is more beer consumed than any other time… So I leave you with a parting question. I wonder how many beers it takes to produce a bottle of wine?

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I know… Its about time I told you about my fabulous day trip to the Good Food and Wine Show this year. The best year yet – because I nolonger “work” in the wine industry in the traditional sense – and I got to participate as a patron.

And participating as a patron has taught me that the organisers have neglected to think of one think that serious wine drinkers /tasters need: Spittoons. Now guys if you only learn one thing from my blog, let it be this:

Spitting wine out is polite. Of course, we don’t do this at home, but Wine tasting etiquette in a sales room demands you to start spitting. Why? Because you start getting inebriated. If you are getting tiddly and trying 20 wines, you won’t be able to remember your day and the sales person will not be interested in you seriously. You will not get to try the good stuff. Why else? A Cellar Door is in no way friday afternoon free drinks. I am pro-charging for wine tastings. Boo Hoo. What is $5 to try a $100 bottle of wine?

Too embarassed? Personally I am more judgemental of a non-spitter than someone who has tried and managed to get a trophy of red wine spilled down their front. It doesnt have to be classy. Just lean over and spit it in. Or if a small bucket, pick it up by the rim if you have to and discreetly spit. A good cellar door will keep emptying it to save you the protein splash backs. [Shudders]

To appear serious to another wineo you should complete in ORDER:

  1. Look at the glass. Colour of wine can tell you alot more than you know. Colour comes from age, the skins, oak… The “legs” or the clear running film of wine thats slow to fall will tell you about the level of alcohol in the wine.
  2. Swill the wine. If you can’t manage to keep the contents inside your glass put the base on a flat surface and swill in circular motions keeping the base flat. You’ll look like a pro. Swilling opens up wine to air, oxygenation releases flavour as air excites the molecules in the wine. Its like wine porn.
  3. Stick your nose in. One thing that irked me is when customers bypassed the nose. If our taste is through our nose, then 80% of the enjoyment in a great wine for me is in the nose. I can spend more time wanking on about the features of the wine’s “bouquet” more than I can it’s flavour at times. The other thing is, I literally mean “stick your nose in”. Aim to get as close to the wine without touching it with your nose. To be honest and to scare you, I isolate my right nostril and only take it in with one. (I am a righty, but I can also swing to the left). I think this clarifies my sense of smell… but to be honest I have no idea if its of better benefit to anyone else but me.
  4. Sip. The worst part about non-wineos is when they gulp it like beer. Wine is all about mouth feel, so don’t rush it. Sip, keeping it on the front of your palate and then pull the wine through your mouth. Sucking air through the wine as it allows the layers show show different flavours. Its not a gargle but a subtle “inhale” by almost whilstling backwards.
  5. Spit. Don’t need to do it at home. Hell the best of us smash heads are wineos. But seriously, if you are at a winery, you look like a fool if you don’t. It has nothing to do with being a driver or having a good time. It is actually rude to swallow everything.
  6. Lastly, if you liked something. Buy it. If you tried everything but didnt like anything, buy something*. Its like trying on every dress in the shop and looking great in everything, flashing your credit card and not buying anything.

*The above section was changed to reflect my intended meaning not the one that came out when I rushed to the {submit} button.

At the Good Food and Wine Show, the only spittons around were the small overflowing buckets. Its disappointing that they want to be taken seriously as Australias Biggest Food and Wine Show and only offer a tiny little bucket that quickly overflows. To be honest, I was spitting in silo rubbish bins. Attractive thought…

So….  the last question of the night is – do you spit or swallow? ;)

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The wine industry is forever chortling about all the Verd-del-hoes, Mossel’s,  “Semillon”-Blancs, Card-on-nays and the occasional discussion on Cabernet Sauvignon as being a blend between the “two” grapes.  Once of my favourites has been the ever faithful “Can I please try the… V..Vi..Vo.. Voyager?”

I am sure the French are not so arrogant to expect the rest of the world to speak French. Afterall they do tolerate the Italian pronunciation of the “t” in Merlot. (But only barely) LOL

One of the more obscure queries in Cellar Door about the once rare Viognier’s origins came from a Frenchman. He had the gall to ask an Aussie whether Australia had named the grape? Her reply was said with the finest roll of the tongue she could afford: “Why on Earth would an Australian name a grape Viognier?” Wouldn’t an Aussie take the easier path? the Frenchman saw himself as somewhat an expert on French wine. He had no idea that the Rhone region uses Viognier and that his people had ignorantly almost sent the grape extinct in the past. Australia had only “borrowed” their Shiraz Viognier co-fermenting technique, and I am proud to name that Australian winemakers have conquerered the technique such as Clonakilla.

It makes me fantasise as to whether the romance and allure of all the fancy enunciations of wine terms would be lost if Australian slang took over more than a “Cab Sauv” or “Chardy”. Does the way we say a word value-add it in any way? Do we drink  “Sauv Blanc” because it makes our life better, out of convenience, fashion or for the plain cultural value?

Would we still appreciate the plonk if thats all it is? I believe there are great implications of this in the Australian market. Many consumers from what I know drink what they like or what market trends subconsciously tell them they like. But sometimes consumers are too afraid or intimidated to order the “Voyager”  in case they embarrass themselves. Many consumers have the money, the drive, the interest, the motive but lack some simple information – the key to ordering what they want. How on earth is that pronounced? Would the sommelier judge them if they didnt say Viognier right?

High praise goes to Yalumba here. Why? Not because they had the first commercial plantings of Viognier in Australia, and not because they were some of the first Viognier’s on the Supermarket Shelves. In an effort to improve the profile of Viognier as a variety, Yalumba drove a major Australian Campaign only a few years ago. On Billboards across Australia and in Magazines and other Print media, Viognier sprawled into the wine marketplace. Their efforts were noteworthy – their campaign simply read VEE-ON-YAY! Can I give three cheers to Yalumba’s marketing team? Hooray! They educated the consumer in a way the consumer wouldn’t even know. Yet, next time you see it on a wine list you can proudly ask for the “Vee-on-yay”.

I was once asked by a customer as to why they had never seen straight varietals like Petit Verdot, Chambourcin, or Viognier before. Plain and simple. Australia is a product of its motherlands and we are very traditional in our ways. If we didn’t mimic the old world wine countries in their styles, the market may not have bought our wines. It is only recently over the past decade or so that Australian Winemakers have taken themselves seriously enough to tackle entrepreneurial styles. Sparkling Red MUMMAH! Straight Petit Verdot OOHH! What is the wine world coming to? There are varietals coming out of the woodworks that I have not even tried before. I was very fond of Lowe Wine’s Tinja Roussanne, and I am very keen to get my hands on the mysteries of unknown varietals.

Cheers!

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Grape vines can live a very long lifespan – Australia does boast some of the world’s oldest grape vines. This is owing to disease including phylloxera that swept through Europe in the 1800′s. There are vines still producing in South Australia that were known to be planted in the 1860′s. Thus, with tender love and care, grape vines will live longer than the average human.

I like to think of Grape vines as a lot like people.  In youth, we are rebellious, inconsistent. The older we are the more personality, concentration, and “flavour” we gain. We become middle-aged and we’ve hit our peak of productivity and perhaps become fuller bodied and less vigorous with better balance. Gradually as we head into old age we become fragile, and less fruitful. Lower yielding.

(Here come the abusive comments and emails from middle-aged people sledging me for my analogy.)

Of course some will argue it is not so much the age of the vines that produces a better crop. It’s the low yields. To put it simply – the same amount of flavour resides in 5 tonne of fruit, as does 25 tonne. It’s just the concentrations that reflect the quality and the richness of the finished wine. The smaller the crop, normally the higher the quality. Although from my experience, the more established the vines – the better the wine. But this theory doesn’t take into account weather conditions, terroir (geography of soil), varietal, level of pruning, winemaker, and many other factors.

Although the Hunter Valley has been credited as Australia’s first wine region, the original “Hunter Valley” vines were planted somewhere near the side of Gresford (up to 40 minutes away in the hinterland) and no longer exist. The Hunter Valley as we know it today was only really starting in around the 1860′s and only really started being mass planted between 1900 and 1970′s.

South Australia would be somewhere that I identify with some of the oldest producing vines in Australia. This is being threatened by the “Big Boys” of the wine industry. Because, as I stated the older the vines, the lower yielding. It is becoming ever tempting for contract growers to rip out established aged vines in order to replant fashionable varieties that will produce copious amounts more with improved trellising and better irrigation. As they are selling their crops – often for use in export or supermarket wines, and they are paid by the tonne – the more fruit they can produce the more economically viable their monoculture is.

So should we pay more for old vine wines? Well yes. I believe on the most part, wines made from older vines’ fruit are often made in “Reserve” styles. What does this mean? Well they cost more to produce than your average wine. New oak, barriques versus oak chips, different techniques, super yeasts, expensive packaging… the list goes on. And thus for most of us $40> wines are not everyday quaffers!

If there is an ongoing Market for the Back Blocks, the Old Blocks, the Graveyards, and the Hill of Grace, “styles” of wines, less aged vines will be uplifted for fickle market trends such as Sauvignon Blanc (here she upsets the masses again!)

I believe part of Australia’s credibility on the world wine market also comes from our ability to produce wines of this calibre and it is important to protect our industry.

But of course my only rule of wine is to drink what you like. If you like Sauvignon Blanc – by all means drink Australian. If you have a special occasion and you love aged vine Shiraz, by all means spend your hard-earned cash and savour every mouthfeel.

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So I’ve started a new job in a totally different industry to my previous endeavours in wine. It’s been great, wine is now not my job, its my hobby. Although some could argue they could overlap somewhat. And even more disappointingly, gastronomy is no longer tax deductable!

In my past life, I was a jack of all trades, working for a small winery in marketing, wine clubs and wore many hats. One of these hats included tasting notes, writing about wines and assessing them against benchmarks. This is something I wish to continue via the blog. I also was an educator of sorts behind the bar. How can such a young person know so much? What course did you do? Well simply I listen, I learn, I observe and half of what I know comes naturally. Of course I went to school at 6 and was realised with the stark reality that noone else lived on a vineyard.

An honour I achieved in this position was a special credence of tradition:


Certain members of staff had been lucky enough to be labeled. I was fortunate enough to have my own Methode Champenoise. You could say I am bubbly, not cheap and showing some aged characters but then we’d have to get serious. It is a 1999 Pinot Noir Chardonnay Viognier and was absolutely divine for all its worth – fine delicate and intricate. Stone fruits from the Chardonnay and hints of Viognier enveloped by honey, nuttiness and toast.

After visiting my previous workplace today and having a great time catching up with friends (staff and customers), I was feeling a little nostalgic over my heavy glass of Viognier. Thus, this blog, an idea that I have had to make wine more approachable and help people see it the way I do has come to fruition. This little seed has “blossomed” and the blog is born.

Kathryn and Rhiannon

The double entendre here is that apparently since I have left the wine industry that I have also “blossomed”. Perhaps something  routine and everyday appears shiny and new when you make it fun again. I’m glad Wine can be this to me. And I hope that someone out there will share this with me.

Cheers!

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